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I like the fact that more time was spent on the Toshio character as well - the back story of Toshio and Kayako is hinted at in the theatrical release, but details like the neglect of Toshio, Kayako's obsession with Toshio's teacher and her husband's jealousy of him does help to establish more of a context for subsequent events.
Naturally, being a TV movie, the budget is considerably lower and it does occasionally show - but mostly just in terms of flat lighting and slightly cheap-looking sets (interestingly though, the same set is used for the Saeki house as in the theatrical release). Special effects are used judiciously, to create some great moments - the first reveal of Kayako in the attic is very creepy and there's pure schlock horror fun to be had in the scene where a bloodied Kanna ascends a staircase in laboured steps, then slowly turns around to gape jawless at her stricken mother. The ending of the film, which uses no more special effects than a mutual gaze, has to be one of the best WTF moments in recent memory.
呪怨
Dir. Takashi Shimizu, 2000
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