Hokey 60s crime drama which sees a proto-Hustle team extort and blackmail their way through a series of a small jobs before landing the big one - and getting in over their heads; caught in the crossfire between a corrupt politician and a powerful loan shark.Not much to recommend this really; the story is risible, the acting ligneous, and it's dated horribly - from the grating, jangly soundtrack to the painfully stylized camera work. Fukasaku doesn't deploy the freeze frame technique once or twice, he uses it throughout the entire movie as short-hand for flashbacks, or sometimes, just for the sheer hell of it. Coupled with wobbly pull back shots and randomly interspersed black and white segments, it's enough to make the viewer feel ill.
It also has some of the most laughable death sequences I've seen. Zero summons up the strength to throw three punches at thin air before collapsing theatrically, then, in the film's final sequence, Shun spills several buckets of red paint over a zebra crossing before uttering the priceless closing line; "what a stupid way to go". I couldn't agree more.
恐喝こそわが人生
Dir. Kinji Fukasaku, 1968
Despite the one star, you've accidently made this sound fantastic. Cracking title, too.
ReplyDeleteEnjoyed the word ligneous.
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