Lord Hosokawa, a vainglorious feudal overlord desires renowned Korean court painter Yoshihide to create an earthly paradise on the walls of his Buddhist temple. Yoshihide however, only seems capable of painting ugliness - he paints only what his mind's eye sees and all it sees is depravity and death.
Incensed by Yoshihide's stubborn refusal to bend to his will, Hosokawa decides that if he can't have heaven, he will have the perfect hell. He kidnaps Yoshihide's daughter Yoshika and uses her as bait to lure Yoshihide into his final deadly act of creation.
Despite being relatively slow-paced, Portrait of Hell never drags - its world is a captivating one. The film has the look and feel of a stage play, perhaps because it was shot entirely in the studio rather than on location - but strangely, that works to its advantage. The decidedly ropey special effects are easily forgiven in light of the film's plus points: the lavish costumes and sets, the beguiling, languidly surreal atmosphere and most importantly, an unusual story populated with some memorable characters.
Despite being relatively slow-paced, Portrait of Hell never drags - its world is a captivating one. The film has the look and feel of a stage play, perhaps because it was shot entirely in the studio rather than on location - but strangely, that works to its advantage. The decidedly ropey special effects are easily forgiven in light of the film's plus points: the lavish costumes and sets, the beguiling, languidly surreal atmosphere and most importantly, an unusual story populated with some memorable characters.
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Hey!
ReplyDeleteNick from www.cinekatz.com here. Doing some scout work for the LAMB. We're wanting to make an email newsletter for community features as well as a list we're making similar to Sight & Sound's best movies of all time list. Just need an email! Email me at npowe131 at gmail.com